In essence, the same effect was being achieved with little to no knowledge of one another's work. Track 3 is first issued on Capitol T-189. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass. a City of Glass digitális CD-n található. Stanley Newcomb Kenton (December 15, 1911 August 25, 1979) led a highly innovative, influential, and often controversial American jazz orchestra. From that time onward, Graettinger, with Pete Rugolo and Bill Russo, was one of the staff arrangers for Kenton's orchestra, which had a reputation for . The 'jagged edges' (akin to Anton Webern) and use of free dissonance by each composer while (simultaneously) writing across the Atlantic from one another are notable. Found inside – Page 41Er sing zu Stan Kenton , ubertrieb seine technischen Eskapaden und verließ Stan ... und Bob Gracttinger , der sich unter dem Titel , Thermopylae " an einer ... Solo: Stan Kenton (p) _____ Discography researched by Michael Sparke and Pete Venudor (with Jack Hartley), from the book KENTON ON CAPITOL AND CREATIVE WORLD - A DISCOGRAPHY, published in the USA by Balboa Books, and in the UK by Michael Sparke. The Penguin Guide to Jazz on CD, 5th Edition, Richard Cook and Brian Morton, http://allthingskenton.com/table_of_contents/adventures/progressive-jazz/progressive-jazz-essay/, review. He lived entirely in his own little world. This is volume nine in the Classics Stan Kenton chronology. However, Graettinger genuinely stands in a class of his own; his music seldom swings and his thematic ideas range from asymmetrical figures that twist around in the foreground over dense, thick orchestrations to others so fleeting that it takes two or three listens to make sure you heard what you did. The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert . [14] Olivier Messiaen's "Mode de Valeurs et Dintensites" (1949) comes to mind with the first opening music of Graettinger's Entrance Into The City (in two parts). [1] Track 1 is first issued on Capitol T-172. [8] Also, his harmonic transitions between sections are key in their departure from the tune compared to the established harmony while June Christy sings. The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert . at Capitol Studios :Track 4, Dec. 5 and 7, 1951 in Hollywood, CA. Stan Kenton adamantly defended Graettinger's music but later had his doubts. "[10] The largesse of Capitol Records and Kenton himself would only last (roughly) six months until a more conventional, financially solvent Kenton 'dance' orchestra would be reformed to cut sides with the popular Capitol artist Nat King Cole. "[17][18][19] Each piece stands on its own and do not really comprise a unified theme or 'set' of concert works. Sometimes…, Stanley Newcomb Kenton (December 15, 1911 August 25, 1979) led a highly innovative, influential, and often controversial American jazz orchestra. Free shipping and returns on all orders. See more Concerts in Miniature Vol 2 by Stan Kenton (CD. Like its immediate predecessor, volume five in the Classics Stan Kenton chronology contains a substantial amount of material composed and/or arranged by Sicilian-American Pete Rugolo, a student of Darius Milhaud and Kenton's right-hand man during the mid- to late '40s. Genre: Avant-Garde Jazz. [9] This is part of the new "Innovations" orchestra that Stan Kenton had marshalled into the studio to record these groundbreaking sides. Origins Stan Kenton was born in Wichita, Kansas, and raised first in Colorado and then in California. Helpful customer service! at Capitol Studios :Track 3, Aug. 24, 1950 in Hollywood, CA. Stan encouraged the boy to keep writing, and forgot him". In later years he was widely active as an e…, Stanley Newcomb Kenton (December 15, 1911 August 25, 1979) led a highly innovative, influential, and often controversial American jazz orchestra. He learned piano as a child, and while still a teenager toured with various bands. Barcode and Other Identifiers In the 1940s he played alto sax with Benny Carter among others. Contemporaries of the Kenton/Graettinger collaboration during that time such as Ralph Burns with Woody Herman, Boyd Raeburn (w/Eddie Finckel and George Handy) and Claude Thornhill (w/Gil Evans) help to clarify the important place where City of Glass sits in jazz history, though Graettinger's output and fame was affected by the AF of M recording ban (as compared to those other writers). Artist: Stan Kenton. (Straight Ahead, page 134) Six years later, Kenton again received an arrangement, Thermopylae, from Graettinger, and immediately hired him. Better than any other writer, Robert Graettinger fulfilled Kenton's aspirations to establish a New American Music. The recording is of Kenton's band performing the piece in 1947. Stan Kenton Plays Bob Graettinger. $1.29 on iTunes 15. Discography. The remaining works on the CD primarily comprise the later released This Modern World. Venudor's and Cox's comparison to Alexander Mosolov . Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always . Found inside – Page 46A Biography of Modern America's Man of Music, Stan Kenton Steven D. Harris ... His first two scores for the band were Autumn in New York and Thermopylae ... PERFORMER "Stan Kenton" TITLE "City Of Glass" REM GENRE Jazz REM DATE 1995 FILE "01. Kenton's recording of "City of Glass" was included on The Wire's 1998 wirelist for "100 Records That Set the World on Fire (While No One Was Listening)". The LP City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Listen to Stan Kenton on Pandora today! In 1947, impressed with the "progressive jazz" charts of Stan Kenton's arranger Pete Rugolo, Graettinger obtained an audition with Kenton. This is far from jazz, and even further from big band. Robert Graettinger's "Thermopylae" (from the City of Glass CD) is the first Graettinger work recorded by the Kenton Orchestra (December 1947); the . Some of the works ("A Thought", "Some Saxophones") were not even supervised in the recording process by Stan Kenton himself[20] in that he was out on tour with the orchestra. Out Of Nowhere. Fortunately he had a strong adherent in Stan Kenton, and Capitol Jazz's City of Glass: Stan Kenton Plays Bob Graettinger documents what survives of their collaboration in respect to commercial recordings, ranging from Thermopylae, recorded in New York in 1947, to Graettinger 's weird arrangement of the standard "You Go to My Head," dating from . He could never find anybody to understand him. [15] There is some notable lyrical playing by members of the Kenton orchestra in this final movement. In an essay entitled Economics and Race in Jazz, Leslie B. Rout Jr. wrote that "the real scourge of the 1946-1949 period was the all-white Stan Kenton band. Prisoner of Trebekistan is Bob Harris’s hilarious, insightful account of one man’s unlikely epic journey through Jeopardy!, gleefully exploring triumph and failure, the nature of memory, and how knowledge itself can transform you in ... Though Stan Kenton was seen as a proponent of . Scrobble, find and rediscover music with a Last.fm account, Do you know a YouTube video for this track? Graettinger worked as an arranger for Kenton for ten years until his . When big-band leader Stan Kenton took a left turn from the dancefloor into music for the concert halls in the late Forties he increasingly left much of his audience behind. Found inside – Page 851... 181 Stan Getz Plays, 647 Stan Kenton: The Hoiman and Russo Charts, 412 “Star Dust,” 113, ... 129 “Thermopylae,” 449, 450 “These Foolish Things,” 173, ... Music Kenton's musical aggregations were decidedly "orchestras." There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Graettinger earned a position on Kenton's arranging staff on the strength of his piece "Thermopylae." The following year, Kenton began his Innovations Orchestra, which was devoted to the promotion of the . US. Stan Kenton Plays Bob Graettinger -. With dashes of Charles Ives and, gasp, Elliot Carter thrown in for good measure. It opens with the last recordings made by Kenton's Innovations in Modern Music Orchestra, a gigantic ensemble that included quite a number of violins, violas and celli.These fascinating episodes were recorded on December 5 and 7 1951, using ultra-modern compositions by Bob Graettinger, who had earlier made his mark upon Kenton's band . The second movement (The Structures) is quite effective to the level of Incident in Jazz recorded almost two years before. Add a video, Do you know any background info about this track? The original album has been reconstituted in different LP re-issues and the entire set of Kenton/Graettinger Capitol Records sessions are on the digital CD City of Glass.. But back in the late 1940s and early 1950s, no group could . The stentorian headline, published in 1953 by a Dublin newspaper, makes no sense today: STAN KENTON'S NEW SOUND IS SWEEPING THE WORLD. Trombone – Milt Berhart, Harry Betts, Bob Fitzpatrick, Violin – Alex Law, Earl Cornwell, Phil Davidson, Barton Gray, Maurice Koukel, Seb Mercurio, Danny Napolitano, Dwight Muma, Charlie Scarle, Ben Zimberoff, Viola – Paul Israel, aaron Shpiro, Dave Smiley, Cello – Gregory Bemko, Zachary Bock, Gabe Jellen, Horn – John Graas, Lloyd Otto, George Price, Alto saxophone, clarinet – Dick Meldonian, Tenor saxophone, clarinet, bassoon – Bart Calderell, Producer: (1,3,4) Jim Conkling, (2) Bob Cooper, (5–16) Lee Gillette, Digital transfers and mastering (CD): Malcolm Addey, CD design: Patrick Roques and Lisa Cuscuna, Liner notes: Max Harrison and Gunther Schuller, This page was last edited on 29 January 2021, at 21:49. [6], Graettinger's intention is far closer to jazz than to the modernism of Russians or any classical music of the time; this makes it no less innovative but merely assigns the lineage to a more accurate place. Found inside – Page 25 stan kenton effect , but in the mid - 1960s he began focusing more on jazz ... From the astoundingly dense opening track “ Thermopylae ” to the three ... "[22], Graettinger is quoted, "I've never had a technique to execute my ideas. Stan Kenton. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. International shipping options available. Stanley Newcomb Kenton (December 15, 1911 - August 25, 1979) was an American popular music and jazz artist. Kenton comments on the unprecedented conditions this orchestra operated under, "The Capitol people were with me all the way. Imperial Bandits contributes to the ongoing reassessment of borderland areas as frontiers for state expansion, showing that, as a setting for many forms of human activity, borderlands continue to exist well after the establishment of formal ... Graettinger's life had been in constant turmoil. His total lack of interest in material possessions leading to very primitive living conditions, his method of writing music colors to illustrate the different instruments (much like Duke Ellington), and his total dedication to his music above all else, ensured the admiration of other musicians. Stream ad-free or purchase CD's and MP3s now on Amazon.com. This Modern World is varied in scope but lacks greatly what would be real jazz sensibilities; the feature written for Maynard Ferguson entitled A Trumpet (Stan Kenton himself gave it that name) is the only exception on this recording. Found inside... Abneigung gegen Tänzer, auf deren Zufriedenheit Kenton ja lange Jahre angewiesen war. Der Tenorsaxophonist Bob Cooper führt aus: »Stan haßte Tanzmusik. I work from the idea, and have acquainted myself with the physical laws of sound. Musically, Stan Kenton was perhaps the most ambitious of all big band leaders short of Duke Ellington. Graettinger's music and the recordings of Stan Kenton Thermopylae: Bob Graettinger's first recording with Kenton. (normally you might come back to the bridge, the lyric from the tune/story would lend itself this way), Graettinger's arrangement was included on the CD re-issue of "New Concepts ...", that and two other cuts did not make the original release in 1952. Found inside"Straight Ahead is the story of Stan Kenton's career as a musician, brom his first Artistry in Rhythm band in 1941, through his becoming "the greatest box-office attraction in the nation," through Progressive Jazz, the Innovations Orchestra ... A City of Glass című album, amelyet Stan Kenton eredetileg 10 " -es nagylemezként adott ki, teljes egészében Bob Graettinger zenéjéből áll.Az eredeti albumot különböző LP-kiadásokban újították fel, és a Kenton / Graettinger Capitol Records szekcióinak teljes sorozatát. There was more material, and this has been covered in part by the Ebony Band's Channel Classics disc City of Glass, where Graettinger's efforts stand alongside edgier creations of some of his colleagues on the Kenton arrangement staff, Pete Rugolo and Franklyn Marks. Leaders short of Duke Ellington was so difficult to play because you were independent of the Stan Kenton was in. His own band, which developed into one of the Stan Kenton has become an icon of music... Morton, http: //allthingskenton.com/table_of_contents/adventures/progressive-jazz/progressive-jazz-essay/, review the painting but you can play it on any device that supports,. Studios, new York December 6, 1947, second session x27 ; s and MP3s now on Amazon.com 1950s! Account to your music profile... recorded stan kenton thermopylae 1951, and have acquainted with!: Creative Press of Los Angeles, CA new American music Kenton, the same not! 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